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VideoKing EU Store > Products > Kinefinity > Kinefinity MAVO LF – 6K Large Format Cinema Camera

Kinefinity MAVO LF – 6K Large Format Cinema Camera

€10 158,73 – €16 508,73

  • 6K Resolution
  • Large Format / Full Frame CMOS Sensor
  • Dual Native ISO – 800 / 5120
  • ProRes or Cinema DNG for all resolutions and frame rates
  • 6K wide up to 75fps
  • 4K wide up to 100fps
  • 2k wide up to 200fps
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Kinefinity
SKU: N/A Category: Kinefinity Tag: Black Friday 2019
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  • Více info
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  • MAVO LF Bundly

Description

MAVO and MAVO LF are based on the same image process platform, using advanced color processing architecture and whole new CMOS image sensors to achieve super low-noise, high dynamic range. Whether it is the S35 format version of MAVO or the large-format version of MAVO LF, the 6K cameras can bring stunning details and organic images. MAVO LF with large-format sensor provides cleaner images, wider viewing angles, shallower depth of field, and more immersive presence for cinematographers.

Both MAVO and MAVO LF can shoot 6K wide 66fps, 4K wide 100fps slo-mo. Both slow-mo and normal frame rate can get the same superior images, more than 14 stops of latitude, pleasing skin tones and shadow details are reserved perfectly. With 6K 3:2 aspect ratio, in addition to the conventional 16:9 and 17:9 standard aspect ratio, the CMOS sensor can also provide a variety of image formats, such as 4:3, 6:5 S35 anamorphic shooting, even the open gate 6016×4016, up to 24 million pixels’ images!

Also, MAVO provides three kinds of intermediate codecs suitable for editing and color grading to simplify the workflow and provide the maximum room for post-processing. For KineRAW, KRW2.0 as compressed RAW has compression ratio from 2:1~10:1. To work with Davinci Resolve, MAVO can record cinema DNG now, and the compression ratio can be set to 3:1, 5:1, or 7:1.

MAVO and MAVO LF keep the tiny camera body though the doubled processing ability and more encoding ability, and are compatible with most TERRA accessories. It benefits from MAVO’s advanced computation architecture and low-power design so that it packs such powerful performance into such a small and reliable body. After inserting a wireless card (DarkTower platform) into the new KineBACK-W, MAVO and MAVO LF turn into a wireless camera: wireless video transmission and wireless lens control system (support Movcam), which greatly simplifies the connection between the camera and the accessories, improves reliability and durability significantly.

MAVO LF
Large Format MAVO LF employs a full-frame CMOS image sensor, physical size as 36x24mm, resolution is over 6K: 6016×4016. Compared to the S35 format sensor, the large format CMOS sensor is 2.25 times larger, the exposure area is bigger, the single pixel pitch is larger, the SNR is better, then the picture is cleaner. In addition, large format offers a wider perspective, shallower depth of field and more immersive presence. You can use not only cinema lenses designed for large format like MAVO Prime, CP3, Cooke S7i, Arri Signature Prime, but also a large number of existing full-frame still camera lenses.

Higher ISO MAVO LF works with a whole-new full-frame CMOS image sensor. The large pixel pitch with latest CMOS process tech, provides high sensitivity and best low-light performance. Its base ISO is 1600. The noise level remain very low at ISO 2560, 3200, 5120.The ISO can be even higher if the rendering output is downsampled to 4K or 2K.

Versatile Optical Format MAVO LF uses a high-speed, low-noise, full-frame CMOS image sensor with over 14 stops of dynamic range at 6K resolution and cropping modes. At full-frame optical format, the frame rate can also reach 6K Wide 66fps. At the S35 format, the frame rate can reach 4K Wide 100fps. This is also an advantage of the large-format CMOS image sensor, higher slow-mo ability at S35 format. Similarly, the RAW format has 12 bits, and the ProRes format supports in-camera oversampling and can directly output 4K/3K/2K resolution at full frame. The “rolling” effect is also much lower than TERRA 6K.

4K 100FPS Both MAVO and MAVO LF have very good slow-mo ability. Both output 66fps at 6K Wide, and directly record to 100fps at 4K Wide, 120fps at 3K Wide when cropping mode and 192fps at 2K Wide. It also has quick-mo ability, the lowest frame rate is 2fps. The frame rate can be set between 2fps and the highest frame rate supported, the accuracy of 0.001fps. While shooting, it is recorded at the project frame rate (for example, 25 fps).

Compressed RAW CinemaDNG returns to MAVO, Kine camera again with configurable compression ratio! The codec is a big difference from TERRA. MAVO can in-camera record compressed RAW with CinemaDNG format, and the compression ratio is configurable, from 3:1, 5:1 to 7:1. Da Vinci Resolve natively supports CinemaDNG, so that you can directly import, edit and grade the CinemaDNG footage shot by MAVO in Davinci Resolve! No matter 3:1, 5:1 or 7:1, every format is able to achieve super high quality image and room for post-production.

KineRAW (.krw) codec, cinema-level codec is developed by Kinefinity with great efforts and resources. KRW2.0 is a compressed RAW with compression ratio from 2:1 to 10:1, so that it can be recorded as RAW when very high resolution and very high frame rate. If compression ratio is 3:1, one 500GB KineMAG SSD could record around 100 minutes 4K RAW clips with its data rate slightly larger than ProRes422HQ. It really fits 4K, 6K recording and HiSpeed recording: reserving max grading room, saving much storage spaces and easier data backup.

Wireless Camera After inserting a wireless card (DarkTower platform) into the new KineBACK-W, MAVO and MAVO LF turn into a wireless camera: wireless video transmission and wireless lens control system (support Movcam), which greatly simplifies the connection between the camera and the accessories, improves reliability and durability significantly. The wireless video can work with 2000ft/3000ft based on different wireless card.

2.5″ SSD recording media MAVO employs standard 2.5″ 7mm SSD SATA3.0 as recording media to provide compatibility of 3rd-party SSD, though MAVO is so small. There are lots of off-the-shelf 7mm SSD available. However performance of 3rd party SSD is not guaranteed, only official 7mm KineMAG 500G/1T SSD is recommended for serious shootings.

Custom in-camera LUT You can upload the LUT/color style which you like, or DP like, or designed by post house to MAVO, so that the workflow from shooting to post will be optimised and reduce the time for you, also help on-site lighting and art work. For recording with custom LUT, it does not burn into footage: footage is always logged (by KineLOG3), on-site LUT for monitoring is saved to the same folder. The size of 3D LUT is from 8x8x8 up to 33x33x33.

4K 4:3 Anamorphic MAVO provides 5.3K 4:3 frame as 5376×4016@40fps, 4.8K 6:5 frame as 4864×4016@40fps. Since the height of sensor is around 16mm, these anamorphic formats can be regarded as S35 anamorphic. When aspect ratio of 4:3 matches anamorphic lens with factor of 2, the image will be 10752×4016 with the desqueezed process in post-workflow or monitoring.

Multi-Framing Oversampling + Crop mode + KineEnhancer = infinity combination of resolution, fps and framing. With the help of in-camera oversampling, MAVO records to 6K ProRes, but also 4K/3K/2K ProRes with sharper and more clean images at S35. The framing can be from S35 up to full frame if using KineEnhancer, while cropping mode can boost the higher fps. Of course, MAVO LF does not need KineEnhancer to get full frame. MAVO supports above three modes to get multi-framing and multi res, at different fps.

KineMOUNT as Omni Mount KineMOUNT is the native lens mount of TERRA. It provides enough possibility due to its short FFD(15mm). New KineMOUNT is re-designed to be light with electronic contact (active) in order to support new PL mounting adapter with /i tech and new cordless EF mounting adapter, EF mounting adapter with KineEnhancer, Nikon F mounting adapter, new SONY FE/E mounting adapter, EF/PL mounting adapters with electronic ND(e-ND), etc.

Selected Accessories MAVO is designed to be compatible with TERRA accessories KineBACK-W provides more than SDI monitoring, XLR 48V audio, V-mount plate, regulated DC output, timecode sync and 3D sync in one little module, but also it base on Darktower platform to support wireless video and lens control. KineMON as fullHD 5″ monitor is powered and is fed video from TERRA body by only one cord. SideGrip, as new handgrip w/ powering and control from GripBAT 45Wh(BP-U30 compatible) battery, more than one hour for usage. KineBAT 120Wh as Super compact V-mount battery provides over four hours to TERRA. KineKIT-TERRA from Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for TERRA.

RESOLUTION, FRAME RATE AND CODECS
Image Format Format Resolution Max FPS Codec
Full Frame 6K Wide 6016×2520 75 ProRes or RAW
6K DCI 6016×3172 50 ProRes or RAW
6K HD Wide 5760×2400 75 ProRes or RAW
6K HD 5760×3240 50 ProRes or RAW
6K Open Gate 6016×4016 40 ProRes or RAW
4:3 FF Anamorphic 5376×4016 40 ProRes or RAW
6:5 FF Anamorphic 4864×4016 40 ProRes or RAW
4K HD Wide (Oversample) 3840×1600 75 ProRes
4K HD (Oversample) 3840×2160 50 ProRes
3K HD Wide (Oversample) 2944×1200 75 ProRes
3K HD (Oversample) 2944×1620 50 ProRes
S35 5K Wide 5120×2160 80 ProRes or RAW
5K DCI 5120×2704 60 ProRes or RAW
4:3 S35 Anamorhpic 4096×3072 50 ProRes or RAW
1:1 S35 Anamorhpic 3072×3072 50 ProRes or RAW
4K Wide 4096×1720 100 ProRes or RAW
4K 4096×2160 75 ProRes or RAW
4K HD Wide 3840×1600 100 ProRes or RAW
4K HD 3840×2160 75 ProRes or RAW
M43 3K Wide 3072×1200 150 ProRes or RAW
3K 3072×1620 100 ProRes or RAW
3K HD Wide 2944×1200 150 ProRes or RAW
3K HD 2944×1620 100 ProRes or RAW
S16 2K Wide 2048×860 200 ProRes or RAW
2K 2048×1080 150 ProRes or RAW
2K HD Wide 1920×800 200 ProRes or RAW
2K HD 1920×1080 150 ProRes or RAW

Note: Frame Rate can be adjusted as 6~MAX fps, step accuracy of 0.001fps.  Note: ProRes444 and 444XQ does not apply for all resolution and fps.


TECHNICAL SPECIFICATION
Camera Type Large Format Digital Cinema Camera
Imaging Sensor 6K 3:2 Full FrameFormat CMOS Active area: 36x24mm
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E
ISO Dual Base ISO Max
5120(from 3200) 800(below 3200) 20480
Shutter Angle 0.7°~358° with rolling shutter
Dynamic Range >14 stops
Full Frame FF 6K Wide 6016×2520, 6~75fps Active size: 36×15.2mm, ø 39.1mm
FF 6K 6016×3172, 6~50fps Active size: 36×19.1mm, ø 41.0mm
FF 3:2, Open Gate 6016×4016, 6~40fps Active size: 36x24mm, ø 43.3mm
FF 4:3 Ana 5376×4016, 6~40fps Active size: 32x24mm, ø 40.0mm
FF 6:5 Ana 4864×4016, 6~40fps Active size: 29x24mm, ø 37.7mm
S35 S35 4K Wide 4096×1600, 6~100fps Active size: 24.5×9.6mm,  ø 26.3mm
S35 4K 4096×2160, 6~75fps Active size: 24.5×12.9mm,  ø 27.7mm
S35 5K Wide 5120×2160, 6~80fps Active size: 30.5×12.9mm,  ø 33.2mm
S35 5K 5120×2704, 6~60fps Active size: 30.5×16.2mm,  ø 34.6mm
S35 4:3 Wide 4096×3072, 6~50fps Active size: 24.4×18.3mm,  ø 30.6mm
S35 1:1 Wide 3072×3072, 6~50fps Active size: 18.3×18.3mm,  ø 25.9mm
Other Cropping 3K Wide 3072×1200, 6~150fps
3K 3072×1620, 6~100fps
2K HD Wide 2048×860, 6~200fps
2K HD 2048×800, 6~150fps
Record Format Codec Type Codec Format Bit Depth
Compressed cDNG .dng 12bits 3:1/5:1/7:1
Compressed KineRAW 2.0 .krw 12bits 2:1 to 10:1
ProRes422HQ/422/LT/Proxy .mov 10bits
ProRes4444 .mov 10bits up to 6K 30fps
ProRes4444XQ .mov 12bits up to 4K HD 48fps
Monitoring Video Port x2 HD Port x1 SDI x2* *Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W
Record Media 2.5″ SSD with 7mm Height
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR *Applicable on KineBACK-W
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* *Applicable on KineBACK-W
LUT Preset: Neutral, Support Custom 3D LUT
Power Power In Consumption
DC IN 11~19V/SideGrip/V-Mount* 23W *Applicable on KineBACK-W
Body Color Deep Gray
Weight 2.1 lb / 990 g *Only Body
Size 4.5×4.3×3.7″ / 115x110x95 mm *W/o projections, WxHxL
Operating Temp 0°C to +40°C

Note:

  1. ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
  2. Any other trade marks belong to their respective owners.
MAVO LF
MAVO
TERRA 4K
MSRP(Body) US $11,999 US $7,999 US $3,999
CMOS Sensor Full Frame 6K 3:2 CMOS Imaging Sensor S35mm 6K 3:2 CMOS Imaging Sensor sub S35 4K 3:2 CMOS Imaging Sensor
Crop Factor over FF 1 1.5 1.85
Max Resolution 6016×4016
(24M Pixel)
6016×4016
(24M Pixel)
4096×2800
(11M Pixel)
Slow-Mo FF: 75fps @6K Wide
S35: 80fps @5K Wide
S35: 100fps@4K Wide
S16: 200fps@2K Wide
S35: 66fps@6K Wide
M43: 100fps@4K Wide
16mm: 192fps@2K Wide
sub S35: 100fps@4K Wide
sub S16 240fps@2K Wide
Codec 1. ProRes 444XQ/444
2. ProRes 422HQ/422/LT/Proxy
3. cDNG 3:1/5:1/7:1
4. KRW2.0: 2:1~10:1
1. ProRes 444XQ/444
2. ProRes 422HQ/422/LT/Proxy
3. cDNG 3:1/5:1/7:1
4. KRW2.0: 2:1~10:1
1. cDNG 3:1/5:1/7:1
2. ProRes 422HQ/422/LT/Proxy
3. KRW2.0: 2:1~10:1
Anamorphic FF Ana: 40fps@4:3 5376×4016
FF Ana: 40fps@6:5 4864×4016
S35 Ana: 50fps@4:3 4096×3072
S35 Ana: 50fps@1:1 3072×3072
S35 Ana: 40fps@4:3 5376×4016
S35 Ana: 40fps@6:5 4864×4016
sub S35: 4:3 3700×2700@50fps
Latitude >14 stops >14 stops 14 stops
Base ISO Dual Native ISO
5120(From 3200)
800(below3200)
800 Dual Native
3200(from 1280)
800(below 1280)
Lens Mount Native KineMOUNT as omni mount to be
PL/EF/SONY E by solid mounting adapters
Native KineMOUNT as omni mount to be
PL/EF/SONY Eby solid mounting adapters
Native KineMOUNT as omni mount to be
PL/EF/SONY E by solid mounting adapters
Powering 1. SideGrip
2. Two-Pin DC Input
3. Integrated V mount Battery Plate (only available on KineBACK)
1. SideGrip
2. Two-Pin DC Input
3. Integrated V mount Battery Plate (only available on KineBACK)
1. SideGrip
2. Two-Pin DC Input
3. Integrated V mount Battery Plate (only available on KineBACK)
Video Monitoring
(KineMON)
2 2 1
HD Monitoring 1 1 1
Wireless Slot (For video and lens control) 1
(only available on KineBACK-W)
1
(only available on KineBACK-W)
SDI Monitoring 2

(only available on KineBACK-W)

2

(only available on KineBACK-W)

2
(only available on KineBACK)
Audio 1. In-camera MIC
2. 3.5mm MIC-in
3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W)
1. In-camera MIC
2. 3.5mm MIC-in
3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W)
1. In-camera MIC
2. 3.5mm MIC-in
3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK)
Status Display Yes Yes
Size (WxHxL)
(Without projections)
4.5×4.3×3.7″ / 115x110x95 mm 4.5×4.3×3.7″ / 115x110x95 mm 4.5×4.3×3.7″ / 115x110x95 mm
Weight(Body only) 2.1 lb / 990 g 2.1 lb / 990 g 2.1 lb / 990 g
Body Color Black Black Titanium Grey
MAVO LF Body MAVO LF Basic MAVO LF Pro MAVO LF Pro
+ Shoulder
MAVO LF
Premium
MAVO LF Body X X X X X
KineMON 5″ FullHD monitor X X X X
SideGrip: Full Function
Battery Grip
X X X X
GripBAT 45Wh for SideGrip X X X X
KineMAG 500GB X X X X
Kine D-TAP Power Cord X X X X
Kine AC Adapter X X X
KineBACK-W X X X
KineKIT / Shoulder KIT X / 0 X / X X / 0
Solid Case X X X
DarkTower Wireless System
(DT2000 Suite)
X

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Since 2013, we have been selling video and audio equipment on the Czech and Slovak markets. Our offer includes a wide range of products of many world-famous manufacturers of professional film technology.
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