Description
Wider than Wider
This lens features a 1.8 times squeeze factor. When Shoot in 4:3, it will yield a 2.4:1 aspect ratio.
When the sensor is set at 16:9, you´ll end up with a much wider 3.2:1 aspect ratio. The widescreen images can be cropped to different aspect ratios depending on your needs.
135mm – Shallow DoF
The 135 mm focal length has a shallower depth of field, smoother blurred backgrounds, and more excellent forground separation than other focal lengths in the lineup.
This lens performs well optically with high sharpnes and low distortion. Equivalent to a 75mm horizontally, it is considered a great choice for portraits, weddings and products etc.
The extra reach allows you to frame the subject properly without having to stand very close to it.
The subject and the background appear to be compressed together onto the same plane.
Beutiful Oval Bokeh
This lens, with a squeeze factor of 1.8 times, produces a more pronounced anamorphic look, such as the smoothly blurred backgrounds with more elongated oval bokeh.
Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image.
A Maximum Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Cine Lens Housing
This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4″ screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup.
Match Perfectly with Full Frame Cameras
This lens comes in native mount for RF, L, E and Z mount systems, compatible with many of the full frame cinema cameras on the market. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.
